Charlie Carrillo

Type
Individual
Role
Artist, Teacher, Writer, Anthropologist
Identifier
CarrilloCharlie
Alternate names
Carlos Miguel Carrillo
Lifespan
after 1956
Functions, Occupations, and Activities
>Santero, wood carver
Heritage
Hispanic
Medium
Wood;Paint
Statement
“Because I was interested in Spanish colonial archaeology, I began doing research there, and as I read through documents I was fascinated with all the references to santos,” the New Mexico native told NEA interviewer Mary Eckstein. “And because the ruins of Santa Rosa de Lima de Abiquiú Church are there, I decided one day to paint an image of her [Saint Rose of Lima] based on a historic picture I had seen of her from New Mexico. That got me started. And before I knew it, I was painting for people in the community and just giving things away. This was in 1977. In 1978, I got married up there – my wife is from Abiquiú. And the interest grew and grew and grew.” [Retrieved on 9/27/2017 from http://www.mastersoftraditionalarts.org/artists/50?selected_facets=tradition_exact:Santero]
Publications
Carrillo, Charlie. Bone carving by Hispanic New Mexican pastoralists: a 400 year old tradition - 1995 - Tradicion Revista v. 1, no. 1, pp. 6-7 .;Carrillo, Charlie. Historic Hispanic NM pottery: some revealing new research - 1997 - Tradicion Revista v. 2, no. 1, pp. 29-33 .;Carrillo, Charlie. The Chama Valley: the edge of the Spanish dominion - 1997 - Tradicion Revista Summer, 1997, pp. 40-43 . ;Saints & saint makers of New Mexico by E. Boyd; rev. & ed. by Robin Farwell Gavin; foreword by Donna Pierce; special appendix by Charles Carrillo - rev. ed - Santa Fe, N.M. Western Edge 1998;Saints of the pueblos / Charles M. Carrillo. - 1st ed. - Albuquerque : LPD Press, ©2004.
Biography
Charles Carrillo has blended craft, conservation, and innovation throughout his career as a santero, a carver and painter of images of saints. The depiction of saints for religious purposes dates to the 18th century in Hispanic New Mexican communities. Carrillo started his creative journey in 1978 when he began researching the techniques, materials, and subject matter of the early santeros. Today he is recognized not only as the primary authority on this subject but also as the most accomplished artist practicing in this regional tradition. Testimony to his skills are his many awards, including the Museum of International Folk Art's Hispanic Heritage Award, as well as numerous First Place, Best of Show, and Grand Prize entries in the Annual Traditional Spanish Market in Santa Fe. In 2006 he received the Lifetime Achievement Award at the Spanish Market and the prestigious NEA National Heritage Fellowship. Carrillo earned a doctorate in anthropology/archaeology from the University of New Mexico, but his true commitment to tradition has led him to work within the religious community of northern New Mexico as an artist and an advocate. A generous mentor, Charlie has inspired numerous artists to pursue the native techniques, values, and devotional spirit of the santeros. [Retrieved on 5/30/2018 from http://charlesmcarrillo.com/]
Geographic names
Santa Fe
Related collection
AR.00020 Dana Everts Collection (contributed to)
Related people/organizations
Jose Armijo (taught)
Nina Trujillo Gatt (is uncle/aunt of )
Frank Brito (promoted or publicized)
Museum of International Folk Art (worked with)
Jose Rafael Aragon (influenced by)
Laguna Santero (influenced by)
Pedro Antonio Fresquis (influenced by)
Roberto Montoya (worked with)
Arlene Cisneros Sena (influenced)
Debbie Carrillo (is/was married to)
Floyd Trujillo (promoted or publicized)
Paul Rhetts (was promoted or publicized by)
Barbe Awalt (was promoted or publicized by)
Nicolas Herrera (worked with)
Victor Goler (worked with)
James Cordova (worked with)
Luis Tapia (worked with)
Jose Ramon Lopez (worked with)
David Nabor Lucero (worked with)
E. Boyd (influenced by)
Ernie Lujan (worked with)
Jacobo de la Serna (worked with)
Irene Martinez Yates (worked with)
Alcario Otero (worked with)
Dana Everts-Boehm (interviewed by)
Related exhibition/event
A Century of Masters: The NEA National Heritage Fellows of New Mexico (participated)